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Download Art of the Dogon: Metropolitan Museum of Art by Kate. EZRA PDF

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By Kate. EZRA

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This name, a password for the group and a mystery for outsiders, was suggested by one of their friends, Auguste Cazalis, then a student at the School of Oriental Languages. The meetings of the Nabis were characterized by lively conversations on a wide range of subjects, more often than not connected with painting or literature. It is true that Sérusier and, to a lesser extent, Denis were inclined to give themselves airs, but the rest preferred a merry atmosphere and enjoyed a good joke. This was quite natural: they were all young.

Musée d’Orsay, Paris. qxp 1/5/2009 10:39 AM Page 44 While admiring Gauguin and medieval art, Degas and Japanese woodcut prints, each member of the Nabis group saw them in a different way. Here, preference was dictated by personal conviction and taste. These differences from the very beginning divided the group into two parties: Sérusier, Denis and Verkade wished to follow Gauguin and drew on the art of the Middle Ages, whereas Bonnard, Vuillard and Vallotton felt an affinity with Degas and Japanese artists.

Henri-Gabriel Ibels, At the Circus, 1893. Colour lithograph. The State Hermitage Museum, St. Petersburg. 31. Georges Lacombe, Death and Love, 1894-1896. 5 x 6 cm. Musée d’Orsay, Paris. qxp 1/5/2009 10:39 AM Page 44 While admiring Gauguin and medieval art, Degas and Japanese woodcut prints, each member of the Nabis group saw them in a different way. Here, preference was dictated by personal conviction and taste. These differences from the very beginning divided the group into two parties: Sérusier, Denis and Verkade wished to follow Gauguin and drew on the art of the Middle Ages, whereas Bonnard, Vuillard and Vallotton felt an affinity with Degas and Japanese artists.

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