Download Art's Fateful Hour: Benjamin, Heidegger, Art and Politics by Christopher P. Long PDF
By Christopher P. Long
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Extra info for Art's Fateful Hour: Benjamin, Heidegger, Art and Politics
Since the same subject and the same modality are used, registration requires a composite translation and rotation to align the preand postoperative subject data. First, a set of landmarks is identified interactively from each scan,t and then these landmarks are used to find the composite transformation. If the locations of the landmarks were completely accurate, then three landmarks should suffice for registration. However, operator and quantization errors make it desirable to base the transformation on a larger number of landmarks.
The transformation [Tx 1 requires fractional interpolation in the x direction only, as illustrated in Figure 5; similarly, [Ty 1 requires fractional interpolation in the y direction only. This two-pass algorithm has two potential advantages: a one-dimensional interpolation filter can be used for each transformation, and the convolutions require fewer operations than in the first algorithm. In addition, the formulation of a 2D transformation into two separate transformations of this form results in a matrix access pattern that may lend itself to efficient parallel implementation.
Xi,Yj,Zk-l») A large gradient magnitude indicates a large difference in density between neighboring voxels, which in turn indicates a surface boundary. To render the surfaces, one renders only those voxels where the gradient magnitude exceeds a certain value. This may give rise to aliasing effects similar to those experienced with density thresholding. Westover [West91] uses the magnitude of the gradient to determine the opacity values: a low magnitude gives low opacity, making the voxels more translucent; a high magnitude makes the voxels more opaque.