Download Ashley Bell: A Novel by Dean Koontz PDF
By Dean Koontz
Number 1 ny occasions BESTSELLER • NAMED the most effective BOOKS OF THE 12 months by means of BOOKPAGE • The must-read mystery of the yr, for readers of darkish mental suspense and smooth classics of puzzle and adventure
The lady who acknowledged no to death.
Bibi Blair is a fierce, humorous, dauntless younger woman—whose physician says she has three hundred and sixty five days to live.
She replies, “We’ll see.”
Her unexpected restoration astonishes clinical science.
An enigmatic girl convinces Bibi that she escaped demise in order that she will shop another person. an individual named Ashley Bell.
But shop her from what, from whom? And who's Ashley Bell? the place is she?
Bibi’s obsession with discovering Ashley sends her at the run from threats either mystical and worldly, together with a wealthy and charismatic cult chief with terrifying ambitions.
Here is an eloquent, riveting, brilliantly paced tale with an exciting heroine and a twisting, creative plot packed with fabulous surprises. Ashley Bell is a brand new milestone in literary suspense from the long-acclaimed master.
Praise for Ashley Bell
“A mind-bender full of enjoyable surprises.”—People (book of the week)
“[With] lyrical writing and compelling characters . . . Koontz stands by myself, and this novel is a chief instance of literary suspense. . . . one in every of his best.”—Associated Press
“Grabs you on web page one and retains you enthralled with ever widening loops of intrigue, spine-tingling plot twists, soaking up characters and emotional involvement . . . extraordinary.”—Bookreporter
“Heart-pounding and brain boggling . . . a rarity of a thriller—one that asks massive questions on existence and future whereas succeeding in growing [an] eerie feel of reality.”—Shelf Awareness
“Strap in and carry on. . . . while a author has controlled to trap this type of lightning in a bottle, each reader may still adventure the entire jolt.”—BookPage
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Additional resources for Ashley Bell: A Novel
Patrilinear succession also depends on the pursuit of heterosexual partners in the ‘traffic in women’, and again Hamlet is not part of this chain. Shakespeare’s Hamlet emphasizes the link between love and speedy progression when he wishes that he ‘with wings as swift as meditation or the thoughts of love may sweep to my revenge’ (Act I, Scene 5). But Nielsen’s Hamlet instead is a bird with ‘clipped wings’, as the intertitle has it. She cannot chase and possess women as she is secretly a woman herself.
179, my emphasis). 4 What is never questioned is that time is the stable flow that joins these repeated moments into a continuous identity. In a Foucauldian inversion, I would here like to take time not as the given, but as also constructed by gender. What if it is the seeming stability of gender that creates the illusion that time flows in a constant line? The repeated moments of gendered behaviour would then suggest that there is such a thing as stable gender, and also as linear time. This is why drag performances can be seen to subvert both gender and time.
Normally, films gloss over this conflated chronology, in order to sustain the pleasurable illusion of letting audiences partake in the action as it happens. Nielsen’s Hamlet, however, takes the opposite approach of drawing attention to the differences between these points in time by marking them through differences in gender. Spectators are constantly reminded that they are seeing the historical moments of the crossdressing male Hamlet in medieval Denmark as well as the female Nielsen in 1920s Germany simultaneously rather than in temporal succession.