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By Éric Laurrent
Entre avril 2012 et septembre 2013, je me suis rendu une vingtaine de fois au Maroc. Pour y retrouver un enfant. Un enfant abandonné. Mon fils.
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One among Australia’s so much celebrated novels: one woman’s trip from Australia to London
Nora Porteous, a witty, bold girl from Brisbane, returns to her early life domestic at age seventy. Her existence has taken her from a failed marriage in Sydney to freedom in London; she cast a modest profession as a seamstress and lived with pricey acquaintances throughout the happiest years of her grownup life.
At domestic, the local teenagers she recalls have grown into compassionate adults. they assist to nurse her again from pneumonia, and slowly enable her in at the darkish secrets and techniques of the local within the years that experience lapsed.
With grace and humor, Nora recounts her wish to get away, the best way her marriage went improper, the conceit that drove her to get a facelift, and one romantic sea voyage that has saved her afloat in the course of her darkish years. Her reminiscence is imperfect, however the power and resilience she exhibits through the years is little short of remarkable. A publication in regards to the sweetness of get away, and the combo of discomfort and reputation that incorporates returning domestic.
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Additional info for Berceau
Published serially in the Revista Sousa Cruz in 1923 and 1924 and then published posthumously as a single volume in 1948 in its partially unedited form, Clara dos Anjos scathingly critiques the government’s neglect of the poor in the early 1900s. Just before Marramaque—a humble civil servant—is murdered for trying to protect his goddaughter from a lecher, the narrator describes the insufficient public light in the Rio de Janeiro subúrbio where the crime occurs: “As luzernas de gás, tangidas pelo vento, mal iluminavam aquelas torvas ruas dos subúrbios, cheias de árvores aos lados e moitas intrincadas de arbustos” ‘The gas lights, touched by the wind, barely lit those dreadful streets of the outskirts, full of trees on either side and shrubs entangled with underbrush’ (117).
According to literary critic Brito Broca, from 1900 onward, carioca newspapers began to privilege reporting and hard news over prose, poetry, and long articles. The increased speed and stimulation of urban, everyday life shortened readers’ attention spans, making brief articles appealing. The police blotter was greatly expanded and sports coverage began for the first time; changes, Broca argues, meant to “serve the public’s sensationalist taste” (288). As a consequence of these changes and of the professionalization of journalism, newspapers asked writers for fewer literary contributions and more reporting, copyediting, and interviews (Broca 288; Süssekind 75).
Ferreira da Rosa and Bilac’s florid language elides the power structures at work and the reformers’ authoritarian efforts to control the citizenry. To celebrate his mayoral achievements, Pereira Passos commissioned a guidebook about Rio de Janeiro. It narrates the story of the reforms as a glorious rupture from the dark aspects of the past. Ferreira da Rosa wrote the guidebook, which was published in 1905. He updated the government-issued text in 1922 to celebrate one hundred years of Brazilian independence.