Download Between Witness and Testimony: The Holocaust and the Limits by Michael F. Bernard-Donals PDF
By Michael F. Bernard-Donals
The Holocaust offers a tremendous problem to those that may signify it or train it via fiction, movie, or ancient money owed. Even the stories of these who have been there supply just a glimpse of the catastrophe to people who weren't. among Witness and Testimony investigates the problems inherent within the legal responsibility to undergo witness to occasions that appear not only unspeakable but additionally unthinkable. The authors research motion pictures, fictional narratives, survivor stories, and the museums at Yad Vashem and the us Holocaust Memorial Museum with a view to identify an ethics of Holocaust illustration. Traversing the disciplines of background, philosophy, non secular experiences, and literary and cultural concept, the authors recommend that whereas no account effectively offers entry to what Adorno known as the extremity that eludes the idea that, we're nonetheless obliged to testify, to place into language what background can't contain."
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Extra resources for Between Witness and Testimony: The Holocaust and the Limits of Representation
It is true, he suggests, that there are certain ways of emplotting history-as tragedy, comedy, epic, fable, pastoral-that seem more implausible than others, and he cites Andreas Hilgruber's 1986 book, TJVO Kinds of Ruin: The Shattering of the German Reich and the End of European JeJVry, as an example of history of the Holocaust emplotted as tragedy, the tragedy of the Wehrmacht's destruction at the hands of the Russian army during the winter of 1944-5. Written as tragedy, the defeat of the Wehrmacht overwhelms and contextualizes the (secondary) tragedy of the acceleration of the Final Solution in the year before the German army was crushed on the eastern front, a defeat that had been foreseen by the German army command during that year.
Shooting went on all night. I couldn't sleep .... " And how to account for the language that lists the events of a life in terms only meaningful for the writer, and for whom the presence of those events, even in the shorthand of one who breathlessly writes while gazing out the window at the object of representation, is lost even to him at the moment of writing? The answer that we will provide is that even for those who were HISTORY AND THE DISASTER 27 there, there is a presence-a presence of the disaster, of the occurrence of the event itself-that precedes the experience of the event, and it is this presence that may be available through, but not in, intransitive writing.
For Benjamin in particular, redemption is a process that takes place in terms of discursive representation, one that followed closely Scholem's understanding of the various kabbalistic literatures: at the moment of Adam's fall the world, which had been governed by the Tree of Life in which the divine and the mutable were in communion, and its elements become differentiated. Humans resort to the Tree of Knowledge, which enables them to distinguish between good and evil, holy and unholy, the truth and the lie.