Download California Polyphony: Ethnic Voices, Musical Crossroads by Mina Yang PDF
By Mina Yang
What does it suggest to be "Californian"? California Polyphony: Ethnic Voices, Musical Crossroads indicates a solution that lies on the intersection of musicology, cultural heritage, and politics. inclusive of a chain of musical case experiences of significant ethnic teams in California, this ebook ways the concept of Californian identification from assorted views, every one nuanced by means of category, gender, and sexuality.
In the early 20th century, the idea that of the Pacific Rim and an orientalist fascination with Asian tune and tradition ruled the preferred mind's eye of white Californians, influencing their interactions with the Asian different. a number of many years later, as tensions rose among the la Police division and the African American group, the once-thriving jazz and blues nightclub scene of Forties significant road grew to become a major objective for legislations enforcement's anti-vice campaign. The reactionary nature of the musical ratings for Hollywood's noir motion pictures of the area conflict II and postwar eras negotiated the perceived death of white woman sexuality within the face of black tradition and concrete corruption. Mina Yang additionally considers Mexican american citizens' conflicted assimilation into the white American mainstream from the early 1900s throughout the Nineteen Seventies, in addition to modern Korean american citizens' struggles to specific their cultural and nationwide identities via hip-hop, a style frequently linked to African Americans.
According to Yang, there hasn't ever been a simple definition of "Californian." This so much populous and such a lot prosperous kingdom within the Union has been surroundings musical and cultural developments for many years, and Yang's learn thoughtfully illuminates the multiculutral nature of its musics.
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Additional resources for California Polyphony: Ethnic Voices, Musical Crossroads
In both cities, the underlying aesthetic dictating architectural design was one of eclecticism and individualism. The heterogeneous populations, sharing no common tradition, created environments punctuated by eccentricity as well as by drab conventionality. Exotic themes were often deployed for their kitschy effect. ”18 In architecture of this sort, as well as in the Hispanic mission style that borrows from an imagined, mythologized past, histories and their attendant value systems were fabricated and claimed by assembling together disparate cultural symbols.
In three decades of controversy he has won a strong position. Many people have decided that his music is beautiful. ”47 Rodriguez found the Los Angeles music scene dominated by the Philharmonic and Hollywood Bowl wanting, its music failing to capture the pioneering spirit he attributed to Californians. But even here, in the heart of the commercial culture industry, new music that was novel and adventurous was being performed and winning advocates. ”48 As in politics, the corporate dominance of the culture industry in Los Angeles provoked and sustained a countercultural movement of intellectuals and artists in music, eventually producing a rich array of alternatives to the more predictable fare purveyed by Hollywood and the Philharmonic.
The musical works played in such grand halls reflected the aspirations of the city’s elite to emulate the European bourgeoisie. 2. War Memorial Opera House. (Author’s collection) The establishment of a major orchestra and an opera company gave San Franciscans a sense of validation and the confidence to broadcast to the rest of the world that their city had arrived as a major player on the international cultural stage. The self-consciousness that spurred these cultural projects is conveyed in a 1912 article by critic Alfred Metzger in the Pacific Coast Musical Review: When a community has shaken off the yoke of mediocrity and is ready to appreciate art in its highest phase, presented in the most efficient manner, in fact, when a community has graduated into the metropolitan class, then it would be unwise and indeed injurious and dangerous when anyone, sufficiently influential to make an impression, would encourage or support movements destined to keep such community back in its progress and retain it in the provincialism rampant during the infancy of its advancement in culture.