Download California Soul: Music of African Americans in the West by Jacqueline Cogdell DjeDje, Eddie S. Meadows PDF

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By Jacqueline Cogdell DjeDje, Eddie S. Meadows

This new sequence, co-sponsored with the heart for Black song learn of Columbia university, seeks to extend our figuring out of black tune genres and their value to the cultures of the Atlantic international, together with their impression on African musical types. Books within the sequence will learn the wide-ranging track of the African diaspora—including the folk-derived musical types of the Americas in addition to European-influenced live performance corridor song of the complete black Atlantic world—by reading concerns serious to our interpretation of the track itself and exploring the relationships among song and the opposite black expressive arts.

Focusing on blues, jazz, gospel, rhythm and blues, and soul song, California Soul is likely one of the first books to discover the wealthy musical history of African americans in California. The participants describe intimately the person artists, locales, teams, musical types, and nearby features, and the result's a massive ebook that lays the basis for a complete new box of research. The essays draw from oral histories, track recordings, newspaper articles and ads, in addition to inhabitants facts to supply insightful discussions of themes just like the California city milieu's effect on gospel tune, the advance of the West Coast blues sort, and the importance of Los Angeles's vital street within the early days of jazz. different essays supply views on how person musicians were formed via their African American historical past, and at the function of the checklist and radio within the making of song. as well as the varied diversity of essays, the publication comprises the main entire bibliography now on hand on African American song and tradition in California.

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Extra resources for California Soul: Music of African Americans in the West

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He had all the dance jobs and his name was Sam McVea. He finally got up to three pieces: piano, mandolin, and drums. That’s the only Negro I remember around here, and you couldn’t have a dance unless you had McVea. We didn’t have any dance halls in Los Angeles so there weren’t any places for musicians to play. ”45 The Sam McVea referred to by Spikes was likely related to (or perhaps was himself ) the father of Jack McVea. Jack got his start as a musician playing banjo for his father’s group, McVea’s Howdy Band, in the s, joining the band when he was only eleven years old.

Following the group’s first notice in the Eagle in June , ads for performances by Ory’s Creole Jazz Band appeared regularly in the paper through . The band’s first mention occurs in an announcement of a “Grand Old Fashioned Picnic and Barbecue” at Rosehill Park113 featuring music by the Black and Tan Jazz Band, with Ory’s group receiving second billing. 114 The Rose- DjeDje01_021-078 2/26/01 9:54 AM Page 43 WAY OUT WEST ON CENTRAL  hill Park picnic and barbecue was likely the scene of one of these “cutting contests” between the two bands, another of which apparently occurred at an Elks picnic at Eagle Rock Park on June , .

JAZZ BEGINNINGS IN CALIFORNIA In the early years of this century, San Francisco was the main center for “hot” music on the West Coast. Most African-American musical activity was centered in a district known as the Barbary Coast, the city’s answer to New Orleans’s Storyville district. An abundance of nightclubs, brothels, and other spots that featured music in a variety of contexts provided ample work opportunities for local players and drew African-American musicians and other entertainers from throughout the country.

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