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Download The Total Film Maker by Jerry Lewis PDF

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By Jerry Lewis

‘The overall Film-Maker’ — Jerry Lewis’ ebook on filmmaking, taken from 480 hours of audio tape, recorded as Jerry taught filmmaking on the college of Southern California, 1971. “It’s it seems that the most effective books written approximately filmmaking ever. It was once revealed in 1971 and has been out of print due to the fact then.”

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Thank you very much. " I was that quick with her. She'd turned me so goddamn cold. Turned me right off. To her, obviously, it was just a job. Another girl came in. Jean Shrimpton's sister, Chrissy. Want to see an angel face with a pair of warm eyes? Chrissy has them. She captured my ear, my heart, my eyes! She gave a damn, and I saw her in the part. Maybe a little 54 Actors too young, I thought. But in other clothes? The interview should have lasted ten minutes. Forty-five went by, with other girls stacking up in the outer office.

The writer's best insurance against rewrite is to have an under­ standing of the directorial problems. Writing a scene that can't be played, no matter how beautiful the words or thoughts, is begging for a revamp. Some writers work in master scene formats. The word camera or suggestions on how to use the camera does not appear in the script. They write a play for screen use. Oth­ ers belabor their scripts with endless descriptions and cam­ 5 0 Script and Writer era placement to the point where the visual aspect blurs the basic story.

Very painful, sometimes terrifying. A good film-maker must have the guts to quit. If some­ body challenges what he says, or denies him the right to believe what he has said, he must fight back, spit it out, and if necessary, walk out. Total film-making cannot be approached on the basis of compromise. Autonomy, if you are lucky enough to be the producer, writer and director, cuts away a lot of the fat but spreads the hours. " Well, on a nine-to-six basis on the stage, you eat up three in camera setups, which leaves six.

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